The Illuminati Inspect Every Hollywood Script
Above is a scene from “V is for Vendetta” — “The most blatantly honest Illuminati project I have yet viewed.”
by Aspen(The author is a former professional movie critic.)
Additionally, these subordinates comprise a tightly managed think-tank which surveys the progress of Illuminati propaganda in global societies. The members make decisions about which themes are ready for further amplification in popular media. Then, detailed descriptions of desired creative projects are handed down to a further subordinate (but not necessarily knowledgeable) group of highly skilled writers, who create the scripts for these projects.
Different projects are created to target different sectors of the global population. That may seem logically obvious, but it’s worth stating. Grossly blatant Illuminati messages are more often couched in films of excessive violence, sexual content, outright weirdness, and so on, in order to distract viewers from the fact that external ideas are being inserted forcefully into their minds.
Actually, that’s not quite right: excessive violence, and such, activates a psychological openness to the receiving of ideas. The explanation for this is that once a viewer makes the decision to ACCEPT the violence and the sex, and so on, his or her mind remains open to the ideas that the film is meant to insert into their minds.
SUBTLE INFLUENCES
Very often, the decision is made not to insert any open messages into film projects. This is due to two very simple rules: too much openness exposes the process; and, gradual influence is far more powerful and effective in the long run. In the event that no open messages are going to be inserted, two other options remain which still allow for gradual influence to build.
The first is Signature Symbology. The Illuminati have, over time, generated a huge set of symbols and visual icons which, in partnership with the more blatant messages, exert an impressive (some would say frightening) measure of influence on public thought. These are the Signatures of Illuminati interference in a project. When viewers see a symbol inserted into a film, this event draws up memories of past encounters with that symbol, and of any messages or themes attached to that symbol. This is often what some people call an “unconscious” or “subliminal” process. I call it “unreflective”, for the simple reason that most people are just not paying any attention to the influences that affect them deeply.
Of course everyone wants to leap on the “Illuminati eye” as a blatantly repetitive symbol these days. That’s a misguided judgment, and I’ll get to that part soon. An example of a less obvious Signature Symbol is the gargoyle. Any film or other production featuring even brief glimpses of gargoyles is announcing that it has the Illuminati stamp of approval.
The second option is influence over the music attached to a project. Film music – well, music in general – holds a powerful influence over viewers and listeners. Similar musical themes across various projects excite unreflective (or subliminal) memories even more deeply than do visual symbols.
One of the tactics of the Illuminati is to present a large set of what we could call Distraction Symbols. The very name “Illuminati” is itself a Distraction Symbol. Distraction Symbols are meant to occupy the attention of both the mildly curious thinkers and the overly excitable conspiracy theorists. Oftentimes, Distraction Symbols are in fact genuine signature symbols, but the publicly presented meanings of these symbols are well-planned and tightly controlled propaganda. The meanings of Distraction Symbols have been either completely falsified or else skewed just enough to push amateur analysts in the wrong directions.
Let’s ask some questions. What do the Illuminati wish to accomplish? What do the subordinate participants in Illuminati projects wish to accomplish? What are the major themes the Illuminati focus on presenting? Why have they selected these particular themes?
WHO ARE THE ILLUMINATI?
There is no actual body of persons calling themselves the Illuminati. There DOES exist an actual body of persons telling everyone to CALL them “the Illuminati”, but this is not what they call themselves. Nor is their character equal to the propaganda they have sponsored that purportedly describes “the Illuminati”.
The most blatantly honest Illuminati project I have yet viewed is V for Vendetta, directed by James McTeigue,left, starring Natalie Portman and Hugo Weaving. By the way, all three of these people are key production elements in major and obvious Illuminati film projects. (McTeigue also directed The Matrix (1999); Matrix Reloaded (2003) Star Wars – Attack of the Clones (2002)
This film was set in Great Britain, but it contains multiple Illuminati admissions of direct responsibility for events which have already occurred in the United States, and in the U.K., including both the destruction of the Twin Towers and the subway bombings in England. There are also announcements of future plans. Civil war in the U.S. is a feature element, as is the use of viral infection, over nuclear warfare, to reduce the population. To paraphrase: “Nuclear war is irrelevant in a world where a virus can destroy an entire population while leaving its treasures intact.
There is a scene in V for Vendetta where the central figures of the film, a man dressed in black and wearing a smiling mask (a Guy Fawkes mask, you can look it up, or watch the film), and a woman named Evie (after Eve, the symbolic Mother of Humankind), perform the following exchange:
Evie: How strange that I suddenly see your face everywhere…. I don’t understand.
V: What?
Evie: How you can be one of the most important things that has ever happened to me, and yet I know almost nothing about you. I don’t know where you were born, who your parents were, if you had any brothers or sisters… I don’t even know what you really look like.
V: There is a face beneath this mask, but it’s not me. I am no more that face than the muscles beneath it, or the bones beneath that.
This is the Illuminati’s’ admission that their public representation of themselves is a very deliberate sham. They have intended all along to keep their membership, their ultimate intentions, and their core character as hidden as necessary. Therefore, if we examine what they present in overly forceful ways, we can discover what they are not. Conversely, if we examine their more subtle touches, we can discover what they are willing to admit to – that is, what they MUST admit to, in order to build the future they have planned for Humanity.
Here we come to the issue of SEEDING. This is it. This is what Illuminati influence in public media is all about. The Illuminati are – like it or not – causing and controlling change, globally, but they are not doing that only by means of instigating economic crises and violent international conflicts.
The Illuminati are seeding the public with notions that gradually grow larger and more influential over time. They did it with Feminism; they did it with flexi-sexuality; they are doing it with anti-religion and with child sexualization now. They do this because the future society they have planned must be structured differently from what we all know now. A different structure requires citizens with different thinking who will accept that structure.
There is a scene in V for Vendetta where the central figures of the film, a man dressed in black and wearing a smiling mask (a Guy Fawkes mask, you can look it up, or watch the film), and a woman named Evie (after Eve, the symbolic Mother of Humankind), perform the following exchange:
V: What?
Evie: How you can be one of the most important things that has ever happened to me, and yet I know almost nothing about you. I don’t know where you were born, who your parents were, if you had any brothers or sisters… I don’t even know what you really look like.
V: There is a face beneath this mask, but it’s not me. I am no more that face than the muscles beneath it, or the bones beneath that.
This is the Illuminati’s’ admission that their public representation of themselves is a very deliberate sham. They have intended all along to keep their membership, their ultimate intentions, and their core character as hidden as necessary. Therefore, if we examine what they present in overly forceful ways, we can discover what they are not. Conversely, if we examine their more subtle touches, we can discover what they are willing to admit to – that is, what they MUST admit to, in order to build the future they have planned for Humanity.
Here we come to the issue of SEEDING. This is it. This is what Illuminati influence in public media is all about. The Illuminati are – like it or not – causing and controlling change, globally, but they are not doing that only by means of instigating economic crises and violent international conflicts.
The Illuminati are seeding the public with notions that gradually grow larger and more influential over time. They did it with Feminism; they did it with flexi-sexuality; they are doing it with anti-religion and with child sexualization now. They do this because the future society they have planned must be structured differently from what we all know now. A different structure requires citizens with different thinking who will accept that structure.
The lower levels of human society will be completely sexualized. Sexuality will saturate society. Sexual exploration will be encouraged from youth: hence the current seeding of child sexualization. Sexual practice will be a mandate, not an option. At higher levels, true sexual mastery will be taught.
Themes:
Satanism, Witchcraft, and Anti-Religion
Are the Illuminati Satanists, in the strict sense of “Satanist”? Are they witches? Do they worship a tall, horned guy with red skin? In all likelihood, no, but they heavily sponsor and support Satanic cultural influences and themes. Obvious film vehicles for apparent Satanic ideology have included the works of Roman Polanski (Rosemary’s Baby ; The Ninth Gate), several films starring Nicolas Cage (um, basically, everything over the past several years), and Natalie Portman (same thing), and even the somewhat recent animated Western-style film Rango. I could provide a longer list, and I may do that later.
The Illuminati sponsor such projects in order to break the public credibility of organized religions. The so-called “New World Order” (really, it’s The Other New World Order You Didn’t Hear About) won’t include any of the currently popular religions, or their members. If you’re a Christian especially, a Muslim, a Jew, a Buddhist, a Daoist, a Satanist, or a member of any subset of those, or of any other offhand cult, you’re on “the list”.
Kabbalistic Ideology
The essence of Kabbalah is that there exists no real opposition between what traditional religions have chosen to label as “opposites”, like Good and Evil. If you want a very straightforward representation of this, you can try to find and view an early Yiddish film called The Dybbuk, and you’ll see the Kabbalah in action. A more recent film would be The Dark Crystal, directed by Jim Henson (the creator of the Muppets). This film culminates in a scene where Good and Evil coalesce into perfect, ethereal beings of pure light. It is the insertion of a small, perfect shard of crystal, into a very large and evil crystal, which makes this transformation possible.
The most popular representation of Kabbalah philosophy has been the Star Wars series of films, comics, and books. It’s no accident that George Lucas was tapped to build these projects, and you can be sure that he did not do it alone. The root derivative of the very name “Lucas” means “wolf”. The wolf is one of the Illuminatis’ more subtle symbols, yet it is by now a constant infiltrator of film media, and that is to the point: in the Protocols of Zion, the Illuminati name themselves as wolves. More on this later.
Most viewers of the Star Wars films are not aware that George Lucas developed the spiritual format of Star Wars culture to be precisely Kabbalistic. Within the space of the books and illustrated novels (comic books) following the conclusion of “Episode 6” (Return of the Jedi), Luke Skywalker (Luke = Lucas) travels a new path of exploration of “the Force”, during which he attempts, successfully, to fuse the powers of the Good Side with the powers of the Dark Side. He nearly loses out to the temptations of the sheer power of the Dark Side, but he is narrowly saved by the love projected by his sister, Leia. He does not have to give up the Dark Side, once he has been saved. Recent films like Black Swan also contain similar messages.
Are the Illuminati Kabbalists? No. These Kabbalistic messages are only a rough transcription of the Illuminatis’ more finessed version of “Kabbalah”. It is a fine-tuned Utilitarian Ethics, elitist in essence because it is based on measured Intelligence. That means, that future human society is to have a hierarchy arranged according to the intelligence levels of its members.The Illuminati present Kabbalistic ideas to the public because according to Utilitarian Ethics, “good” and “evil” are simplistic labels that destroy the human ability to make honest decisions.
Feminism, homosexuality, bi-sexuality, “the inner slut”, sex without commitment, no-strings flings… There’s no point in providing a film list for this material, but I would recommend looking up Natalie Portman again. What is this stuff all about? It just keeps getting more and more in-your-face. Why are the Illuminati so interested in “destroying traditional family values”? Is it because they hate God? Is it because they hate all religious and traditional people?
No, that’s not the point of it. The ultimate aim of the Illuminati is not to create a planet of confused and violent degenerates, but to centralize reproductive control.
In tandem with increasingly strict rules concerning what parents can and cannot do, the expansion of sexual freedoms and the amplification of potential sexual proclivities is the pre-cursor to a society that knows no central family unit. This was – PARTLY – Plato’s idea. Where the Illuminati differ from Plato is that, whereas Plato intended only to scatter people’s sentiments to include the body politic entirely (because if there’s no family, then everyone is family), the Illuminati are more intent on controlling human evolution via the laboratory.
The plan is that gradually home parenting will be proven, scientifically, and beyond all reasonable doubt, to be less effective in producing stable individuals. Survival crises will mandate that random sexual intercourse – with an aim to REPRODUCTION — must cease, in favor of test tube creations of superior physical condition and stamina.
In the meantime, what to do with all that sexual desire that suddenly has no “purpose”? If people are not trying to have babies, by fucking, then what are they going to be trying to do? This is why the sexual fields of possibility are being seeded. Once the aim of reproduction has been wholly distanced from sexual activity, then human sexuality will have to have an alternative destination.
The Illuminati are fully cognizant of what sexual energy and sexual power really are. The Satanists grossly mislabel sexual power as “sex magick”, but Buddhist, Hindu, and QiGong masters know better. The Illuminati also know better. There is a two-pronged plan. The lower levels of human society will be completely sexualized. Sexuality will saturate society. Sexual exploration will be encouraged from youth: hence the current seeding of child sexualization. Sexual practice will be a mandate, not an option. At higher levels, true sexual mastery will be taught.
OVERVIEW OF THE ILLUMINATI
The Illuminati comprise a group of very powerful people who feel that the emergence of Christianity has placed the Human race in a state of endless stagnation.
The aim of the Illuminati is to wipe out most of the extant population, and to create an entirely new human society. Illuminati interference in public media is a seeding operation designed to aim human minds towards an acceptance of the changes that will happen later, more fully than now. The changes happening now are small precursors to the re-invention of the race.
kusemaukweli 